CHINNAMASTA DEVI WALLPAPER
This page was last edited on 30 March , at The alternative explanation suggests that the sexual energy of the couple is being transferred to Chinnamasta. The goddess Vajrayogini also appeared in this form and danced with them. Patnaik, Lalmohan 26 October She is one of the Mahavidyas , ten goddesses from the esoteric tradition of Tantra , and a ferocious aspect of Devi , the Hindu Mother goddess. So She is recognised by both Hindus and Buddhists.
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Her hair is loose and dishevelled and sometimes decorated with flowers.
40 Best Chinnamasta Devi images | Deities, Hinduism, Spirituality
In the right hand, She holds a khatri a scimitar or knife by which she decapitated herself. In the texts, She is described to be a sixteen-year-old girl with full breasts and has a blue lotus near her heart. Like Chinnamasta and her two female companions, a number of Mahavidyas wear garlands made of severed heads or skulls. Carved in Stone, Etched in Memory: Chinnamasta is a very distinctive Hindu tantric goddess and is easily recognized by most Hindus because of her dramatic iconography Kinsley Offering Flowers, Feeding Skulls: The head is celebrated as a mark of identity as well as source of the seed.
Sushumna connects the Muladhara and Sahasrara and is cognate with the spinal cord. The other version, from the Pranatoshini Tantra and attributed to Svatantra Tantrais narrated by Shiva. Tracy Pintchman and Rita D. A story from the Shakta Maha-Bhagavata Purana and the Brihaddharma Purana 13th century narrates the creation of all Mahavidyas, including Chhinnamasta. Tantric practices allow a practitioner to develop siddhis supernormal powers and achieve the ultimate goal of liberation.
Another form of the goddess in the Tantrasara describes her seated in her own navel, formless and invisible. There are only a few temples devoted exclusively to Chinnamasta, most likely a reflection of her limited following. Chhinnamasta is often named as the fifth    or sixth    Mahavidya Mahavidyas are a group of ten fearsome goddesses from the Hindu esoteric tradition of Tantrawith hymns identifying her as a fierce aspect of Devithe Hindu Mother goddess.
One legend, attributed to the Narada-pancharatratells how once, while bathing in Mandakini river, Parvati becomes sexually excited, and turns black.
Though she is frightening in appearance, she is the giver of peace. Chinnamasta symbolises both life-giver and life-taker.
Chhinnamasta is the violent interaction between the Light and the Sound enabling Creation. Her mantra is, Srim hrim klim aim Vajravairocaniye hum hum phat chinnamasya. In another legend, Shiva is living with Kali, identified as Shiva’s consort in this context, but fhinnamasta tired of her and wants to leave.
David Kinsley, an expert on Hindu goddesses and former Professor of Religion at McMaster Universityagrees with the Buddhist origin theory, but sees other influences, too. While other fierce Hindu goddesses like Kali chinnamastaa severing the heads of demons and are associated with ritual self-decapitation, Chhinnamasta’s motif reverses the ritual head-offering, offering her own head to the devotees attendants in order to feed them.
Images in which Chhinnamasta is depicted sitting on Kamadeva-Rati in a non-suppressive fashion suggest that the couple is giving sexual energy to the goddess.
So She is recognised by both Hindus and Buddhists. For the Buddhist goddess, see Chinnamunda. After forcibly extracting Shiva’s consent by threatening him by the Mahavidyas, Sati arrives uninvited to Daksha’s yagna, along with a retinue of Shiva’s followers. The distinction between receiver and giver vanish Oestigaard One tale tells of Krishnacharya ‘s disciples, two Mahasiddha “great perfected ones” sisters, Mekhala and Kanakhalawho cut their heads, offered them to their guru, and then danced.
The copulating couple represent the awakening in the Muladhara chakrawhich corresponds to the last bone in the spinal column.