Certainly, you will find yourself in awe of the 1, different combinations of effects. Create your own combination of Kaoss effects, and simultaneously control up to four effects using a single fingertip! The touch pad has four coloured corners to indicate the weighting given to each effect, glowing brighter as you put your finger nearer. Image 1 of 3 Twenty different effects are included with the Quad. News Location Social Media. Until, that is, you realise that you don’t really want to apply a ‘distorted reverse-looper-pitch-shifted- reverberated delay’ over your entire DJ set and in fact the device is best used, like most things, much more subtly. In fact the sound quality overall can be questionable if you get the input level to hot.
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Kaoss Pad – Wikipedia
It’s hard to whole-heartedly recommend laoss Kaoss Pad Quad. The interest and depth emanating from this new instrument is sure to touch every listener. The instinctive thing to do when using the pad is to swipe around but more often than not, this can make the time-accurate effects quite hard to operate.
When using delays, it seems much better to choose a spot on the pad and poke it, rather than swipe around. Certainly, you will find yourself in awe of the 1, different combinations of effects. The soft rubber buttons for effects selection and control are more pleasant, brightly backlit and oaoss like they’ll suffer a bashing.
Korg Kaoss Pad Quad
The intense user can engage in highly technical performances; the casual user can enjoy DJ-like fun. These sit among more modern, chaotic loop chopping, slicing and vinyl-style break effects. The trouble is, this still sounds like someone farting around in Ableton or Sugar Bytes Effectrix rather than anything particularly original. Although the KP Quad’s automatic bpm calculator is fairly accurate and tap tempo can adjust when necessary, when dealing with time sensitive effects like delays, the loop slicer or beat repeat style effects, the lack of MIDI means you can’t completely sync ‘worry-free’ in all situations.
Our Verdict Lives up to its promise, but is competing too closely with other KPs when it comes to value. Simple to set up and use. It is fun, it keeps all it promises, but the built-in effects on many DJ mixers and software have effectively copied what made Kaoss great and matched it for fidelity and then some.
To this we add the Kaoss Pad Quad, with new effects, functions, and features. There’s a microphone input with quite an aggressive gain control on the rear, but this could work well in a live environment with a DJ or MC, or even more interestingly, to give on stage vocalists touch control over their mic effects.
The legacy of Korg’s touchy-feely effects boxes is well known, with the first unit spicing up DJ sets and studio sessions way back in There is, however, a Peak LED, which will change from amber to red when you’re inputting a hot signal. Brilliant, colorful LED touchpad illuminations move in sync with your performance Control multiple effects in realtime using the intuitive Kaoss X-Y touchpad Create your own Kaoss combinations and use up to four effects at once Choose one of five effects from each of four effect groups; a total of 1, combinations!
The quality of the effects is fine but classic sounds like the filter and flanging and phasing effects do sound a little thin. With this in mind, it would have been much more useful for the FX depth control to be on a resilient fader rather than the rotary pot so you could quickly cut effects in and out.
But it’s worth mentioning that this isn’t a replacement to the flagship Kaoss Pad 3, but a new model that slots somewhere between the tiny KP Mini and the sampling and looping might that is the Kaoss Pad 3. There’s the usual FX Depth control allows to feed through a certain percentage of the original signal, and an input volume helps to keep things at the right level. Unboxing the unit reveals a thin and light unit that feels quite plastic and not exactly gig-ready.
As suggested by the name “Quad”, this new Kaoss Pad lets you use up to four effects simultaneously. Until, that is, you realise that you don’t really want to apply a ‘distorted reverse-looper-pitch-shifted- reverberated delay’ over your entire DJ set and in fact the device is best used, like most things, much more subtly.
But, this simplicity when you consider the price might raise a few questions. Occasionally questionable sound quality. Twenty different effects are included, with the usual suspects such as high, band and low pass filters, distortions, delays, reverbs and modulation effects like flanging and phasing.
A real-time effects processor/sampler with instant control over cutting-edge effects.
Create your own combination of Kaoss effects, and simultaneously control up to four effects using a single fingertip! Image 1 of 3 Twenty different effects are included with the Quad. Possibly the most fun to be had with this device lies in kkaoss four effects, freezing their parameters then swapping and unfreezing them like you’re tapping away at a drum machine.
Still it’s much more fun working this way and routing synths out of your DAW and through the Kaoss Pad Quad is a great way to chop and effect the sound in fresh ways, creating happy audio accidents for re-editing later.
News Location Social Media. The touch pad has four kaosss corners to indicate the weighting given to each effect, glowing brighter as you put your finger nearer.
The Kaoss Pad Quad will enthrall everyone. In fact the sound quality overall can be questionable if you get the input level to hot.